[MD Theatre Guide Review] ‘Guess Who’s Coming to Dinner’ at Riverside Center for the Performing Arts
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[MD Theatre Guide Review] ‘Guess Who’s Coming to Dinner’ at Riverside Center for the Performing Arts

Many dinner theatres run primarily on popular musicals. Patrick A’Hearn, producer of Riverside Center for the Performing Arts in Fredericksburg, Virginia, challenges this trend by presenting at least one non-musical production per year. His selection this year is “Guess Who’s Coming to Dinner,” a bold choice in spite of being based on an award-winning film from 1967.

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[DCMTA Review] Sally Struthers shines in ‘Nunsense’ at Riverside Center for the Performing Arts
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[DCMTA Review] Sally Struthers shines in ‘Nunsense’ at Riverside Center for the Performing Arts

Riverside Center for the Performing Arts presents the musical farce Nunsense, starring Sally Struthers as Mother Superior, and with book, music, and lyrics by Dan Goggin. When the Little Sisters of Hoboken find themselves in a situation that demands fast cash, they decide to put on a hastily planned variety show. The original script derails quickly, and the result is an evening of hilarious entertainment. Directed by Patti D’Beck with musical direction by Carson Eubank, Nunsense is the night of comedic relief that we all need right now!

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[Free Lance-Star] Theater Review: ‘Nunsense’ turns up the fun at Riverside
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[Free Lance-Star] Theater Review: ‘Nunsense’ turns up the fun at Riverside

Upon entering Riverside Center for the Performing Arts, some theatergoers might think for a second they’re at the wrong show. A lighted sign for “Grease” hovers over the 1950s-styled mainstage, with diner barstools, a jukebox and cardboard cutouts of a hip-shaking Elvis and a covered-up Marilyn Monroe scattered about.

If you’ve come for “Nunsense,” don’t worry, you’re in the right place.

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[Falls Church News-Press Review] ‘Camelot’ Musical in Fredericksburg Salutes JFK ‘Camelot Era’
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[Falls Church News-Press Review] ‘Camelot’ Musical in Fredericksburg Salutes JFK ‘Camelot Era’

The Riverside Center for the Performing Arts in Fredericksburg is currently presenting Lerner and Loewe’s classic musical “Camelot,” but with a twist: it actually tells the stories of two Camelots! The first is the story of King Arthur and his knights at the round table of medieval times, while the second is the story of the John F. Kennedy presidency.

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[Free Lance-Star] Theater Review: ‘Camelot’ at Riverside: a tale of two leaders
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[Free Lance-Star] Theater Review: ‘Camelot’ at Riverside: a tale of two leaders

Lerner and Loewe’s “Camelot” is the kind of show audiences can get lost in—a sweeping tale of knights and romance in a faraway land—all set to a gorgeous score. However, Riverside Center for the Performing Arts brings this mythical story closer to home.

Riverside reimagines the beloved musical with an ambitious undertaking that marries the past with the present. “Camelot,” spearheaded by producing artistic director Patrick A’Hearn, connects the Arthurian legend with the Kennedy administration often referred to as the Camelot era. The musical was a favorite of President John F. Kennedy, and his wife, Jackie, cemented the association after his death.

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[DCMTA Review] ‘Camelot’ reigns at Riverside Center for the Performing Arts
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[DCMTA Review] ‘Camelot’ reigns at Riverside Center for the Performing Arts

The performances and vocals are stunning, and the live music continues to earn accolades as one of Riverside’s biggest draws.

Riverside Center for the Performing Arts presents Camelot, with book and lyrics by Alan Jay Lerner and music by Frederick Loewe. David Lee’s book adaptation streamlines the production, and Director Patrick A’Hearn further restructures the show by blending history and legend. Camelot has long been associated with the Kennedy administration for a variety of reasons, and A’Hearn’s imaginative version celebrates this bond, resulting in a truly unique and interesting experience.

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