Theater preview: Riverside Christmas Spectacular brings home the holidays
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Theater preview: Riverside Christmas Spectacular brings home the holidays

If it’s not beginning to look a lot like Christmas just yet, take a look at Riverside Center for the Performing Arts and think again.

Yesterday, the Fredericksburg entertainment staple kicked off the 2022 stint of its Christmas spectacle, which runs Wednesdays through Sundays through the end of the year.

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[DCMTA Review] Sally Struthers shines in ‘Nunsense’ at Riverside Center for the Performing Arts
Kendric Walpole Kendric Walpole

[DCMTA Review] Sally Struthers shines in ‘Nunsense’ at Riverside Center for the Performing Arts

Riverside Center for the Performing Arts presents the musical farce Nunsense, starring Sally Struthers as Mother Superior, and with book, music, and lyrics by Dan Goggin. When the Little Sisters of Hoboken find themselves in a situation that demands fast cash, they decide to put on a hastily planned variety show. The original script derails quickly, and the result is an evening of hilarious entertainment. Directed by Patti D’Beck with musical direction by Carson Eubank, Nunsense is the night of comedic relief that we all need right now!

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[Free Lance-Star] Theater Review: ‘Nunsense’ turns up the fun at Riverside
Kendric Walpole Kendric Walpole

[Free Lance-Star] Theater Review: ‘Nunsense’ turns up the fun at Riverside

Upon entering Riverside Center for the Performing Arts, some theatergoers might think for a second they’re at the wrong show. A lighted sign for “Grease” hovers over the 1950s-styled mainstage, with diner barstools, a jukebox and cardboard cutouts of a hip-shaking Elvis and a covered-up Marilyn Monroe scattered about.

If you’ve come for “Nunsense,” don’t worry, you’re in the right place.

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[Falls Church News-Press Review] ‘Camelot’ Musical in Fredericksburg Salutes JFK ‘Camelot Era’
Kendric Walpole Kendric Walpole

[Falls Church News-Press Review] ‘Camelot’ Musical in Fredericksburg Salutes JFK ‘Camelot Era’

The Riverside Center for the Performing Arts in Fredericksburg is currently presenting Lerner and Loewe’s classic musical “Camelot,” but with a twist: it actually tells the stories of two Camelots! The first is the story of King Arthur and his knights at the round table of medieval times, while the second is the story of the John F. Kennedy presidency.

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[Free Lance-Star] Theater Review: ‘Camelot’ at Riverside: a tale of two leaders
Kendric Walpole Kendric Walpole

[Free Lance-Star] Theater Review: ‘Camelot’ at Riverside: a tale of two leaders

Lerner and Loewe’s “Camelot” is the kind of show audiences can get lost in—a sweeping tale of knights and romance in a faraway land—all set to a gorgeous score. However, Riverside Center for the Performing Arts brings this mythical story closer to home.

Riverside reimagines the beloved musical with an ambitious undertaking that marries the past with the present. “Camelot,” spearheaded by producing artistic director Patrick A’Hearn, connects the Arthurian legend with the Kennedy administration often referred to as the Camelot era. The musical was a favorite of President John F. Kennedy, and his wife, Jackie, cemented the association after his death.

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[DCMTA Review] ‘Camelot’ reigns at Riverside Center for the Performing Arts
Kendric Walpole Kendric Walpole

[DCMTA Review] ‘Camelot’ reigns at Riverside Center for the Performing Arts

The performances and vocals are stunning, and the live music continues to earn accolades as one of Riverside’s biggest draws.

Riverside Center for the Performing Arts presents Camelot, with book and lyrics by Alan Jay Lerner and music by Frederick Loewe. David Lee’s book adaptation streamlines the production, and Director Patrick A’Hearn further restructures the show by blending history and legend. Camelot has long been associated with the Kennedy administration for a variety of reasons, and A’Hearn’s imaginative version celebrates this bond, resulting in a truly unique and interesting experience.

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[Manhattan Digest] Riverside Center for the Performing Arts: Broadway Quality South of Times Square
Kendric Walpole Kendric Walpole

[Manhattan Digest] Riverside Center for the Performing Arts: Broadway Quality South of Times Square

Patrick A’ Hearn may have ambled from the streets of Broadway, but he brought Broadway quality with him to Fredericksburg, Virginia. Since 2011, he’s been at the helm of the Riverside Center for the Performing Arts, a 36,000 square foot theater and conference facility situated between Washington, DC and Richmond, Virginia along Interstate-95.

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[Free Lance-Star] ‘Camelot’ begins its reign at Riverside Center for the Performing Arts
Kendric Walpole Kendric Walpole

[Free Lance-Star] ‘Camelot’ begins its reign at Riverside Center for the Performing Arts

Using “might for right” sure sounds nice amid current global happenings.

A much-needed escape has arrived in the ’Burg in the form of Alan Jay Lerner and Frederick Loewe’s “Camelot,” providing a modern and musical spin on the classic tale. The production kicked off Wednesday at Riverside Center for the Performing Arts and runs through May 8.

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[Free Lance-Star] ‘Meet Me in St. Louis’ arrives at Riverside Center for the Performing Arts
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[Free Lance-Star] ‘Meet Me in St. Louis’ arrives at Riverside Center for the Performing Arts

You’ve seen the Judy Garland classic on the big screen. And now, you can experience the magic locally onstage.

“Meet Me in St. Louis” and all of its uplifting, turn-of-the-century-infused charm débuted at Riverside Center for the Performing Arts on Wednesday and runs through Dec. 31. Shows will take place Thursday through Saturday evenings with matinees on Wednesdays and Sundays.

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[Free Lance-Star] 'Bright Star' musical beams into Riverside after 18-month wait
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[Free Lance-Star] 'Bright Star' musical beams into Riverside after 18-month wait

It’s happening, folks.

Nearly 18 months after being postponed and with its set literally tucked aside at Riverside Center for the Performing Arts since, “Bright Star” and all of its bluegrass glory is a go.

The nostalgic, feel-good musical with a score by Steve Martin and Edie Brickell kicked off its local stint on Wednesday and runs through Oct. 31.

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