[MD Theatre Guide] Theatre Review: ’42nd Street’ at Riverside Center for the Performing Arts
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[MD Theatre Guide] Theatre Review: ’42nd Street’ at Riverside Center for the Performing Arts

In the Hollywood-musical-turned-Broadway show ”42nd Street,” Peggy Sawyer, a young girl from Allentown, PA, dreams of being in a New York Broadway show in the theatre district of 42nd Street. The show fluctuates between the challenges she faces as a Broadway newcomer, her interactions with various people she meets in show business, and her unexpected triumphs towards stardom. It is a show within a show since most of the musical numbers are part of the fictional musical, “Pretty Lady.”

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[Falls Church News-Press Review] ‘Camelot’ Musical in Fredericksburg Salutes JFK ‘Camelot Era’
Kendric Walpole Kendric Walpole

[Falls Church News-Press Review] ‘Camelot’ Musical in Fredericksburg Salutes JFK ‘Camelot Era’

The Riverside Center for the Performing Arts in Fredericksburg is currently presenting Lerner and Loewe’s classic musical “Camelot,” but with a twist: it actually tells the stories of two Camelots! The first is the story of King Arthur and his knights at the round table of medieval times, while the second is the story of the John F. Kennedy presidency.

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[Free Lance-Star] Theater Review: ‘Camelot’ at Riverside: a tale of two leaders
Kendric Walpole Kendric Walpole

[Free Lance-Star] Theater Review: ‘Camelot’ at Riverside: a tale of two leaders

Lerner and Loewe’s “Camelot” is the kind of show audiences can get lost in—a sweeping tale of knights and romance in a faraway land—all set to a gorgeous score. However, Riverside Center for the Performing Arts brings this mythical story closer to home.

Riverside reimagines the beloved musical with an ambitious undertaking that marries the past with the present. “Camelot,” spearheaded by producing artistic director Patrick A’Hearn, connects the Arthurian legend with the Kennedy administration often referred to as the Camelot era. The musical was a favorite of President John F. Kennedy, and his wife, Jackie, cemented the association after his death.

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[Culpeper Times] CURTAIN CALLS: Leapin' Lizards! It's 'Annie'
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[Culpeper Times] CURTAIN CALLS: Leapin' Lizards! It's 'Annie'

Yes, we’re polarized and angry, uncertain about the future, defensive about our politics, but hey! The sun’ll come out tomorrow!

Maybe that sounds like impossible optimism, or “an unstoppable sunshine steamroller” as Ben Brantley called it, but “Annie” has not just survived, it’s thrived because people would rather feel good than bad. It’s almost that simple.

Riverside Center for the Performing Arts welcomes this durable piece of musical theatre to its 22nd season, and it doesn’t disappoint. The little red-headed orphan who entertained our parents and grandparents through the 1920s, the Great Depression, and WWII has had a long run.  Based on “Little Orphan Annie”, the comic strip by Harold Gray, “Annie” is the 1977 Broadway musical that snapped up seven Tony Awards and ran for six years before spawning a few less memorable films as well as three Broadway revivals.

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[DC Metro Theater Arts] Review: ‘Annie’ at Riverside Center for the Performing Arts
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[DC Metro Theater Arts] Review: ‘Annie’ at Riverside Center for the Performing Arts

Riverside Center for the Performing Arts presents Annie, the beloved Broadway darling that has enchanted audiences through generations! With its Book by Thomas Meehan, Music by Charles Strouse, and Lyrics by Martin Charnin, Annie has won seven Tony awards, including Best Musical. Producing Artistic Director Patrick A’Hearn directs a powerhouse cast for this production, led by the incomparable Sally Struthers, who is reprising her role as Miss Hannigan from the 20th Anniversary National Tour.

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[Free Lance-Star] Review: 'Annie' is a big-hearted charmer at Riverside
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[Free Lance-Star] Review: 'Annie' is a big-hearted charmer at Riverside

Little Orphan Annie made her début in Harold Gray’s comic strip in 1924, and almost 100 years later, this spirited redhead continues to inspire people’s hopes for a better tomorrow.

“Annie,” now onstage at Riverside, is a sweet, feel-good family show. As the first few notes of the musical’s overture start to trickle out, it’s hard not to smile and feel nostalgic about the beloved 1982 film starring Aileen Quinn as the effervescent streetwise redhead. Movie lovers will notice some differences in the musical version featuring a book by Thomas Meehan (no scary bridge scene), but overall, one thing’s for certain: This story about an optimistic orphan in search of her parents has a big heart.

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[Prince George's Sentinel] ‘Leapin’ lizards!’ A swell ‘Annie’ with heart
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[Prince George's Sentinel] ‘Leapin’ lizards!’ A swell ‘Annie’ with heart

…The world now knows and loves “Little Orphan Annie” simply as “Annie,” the eternally optimistic (and pro-Roosevelt!) red-headed protagonist of the stage musical and subsequent film franchise.

Just as we briefly returned above to the comic pages of yore, Director Patrick A’Hearn returns the musical to its original version, for – like the comic-strip character herself – the show “Annie” has been revised many times since the character’s first appearance on Broadway in 1977.

What A’Hearn found missing in post-1977 versions was heart, he told us, and that he restores in full measure in his production currently playing at the Riverside Center for the Performing Arts in Fredericksburg, Virginia.

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Culpeper Times CURTAIN CALLS: ‘La Cage' releases Folles at Riverside
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Culpeper Times CURTAIN CALLS: ‘La Cage' releases Folles at Riverside

Pull out your feather boa, your sequined gown and gold lame cape. Squeeze into those impossible high heels and don’t forget the fire engine lipstick.

Oh, and tell your wife to dress up, too. The “folles” have arrived!

This is a first for our favorite dinner theater. The Riverside Center has made the creative decision to branch out a bit and bring something not seen on a mainstream stage in the Fredericksburg area. But “not seen” doesn’t mean “new.” For all its glitter and illusion, “La Cage Aux Folles” has a very respectable 46-year history.

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Free Lance-Star Review: Warm up to a fabulously funny ‘La Cage aux Folles’
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Free Lance-Star Review: Warm up to a fabulously funny ‘La Cage aux Folles’

The French Riviera comes to Fredericksburg as “La Cage aux Folles,” with its irrepressible star Zsa Zsa, flies into the Riverside Center for the Performing Arts.

And what better way to escape this arctic blast than with a heartwarming show about love and family, complete with drag queens and flashy musical numbers?

“La Cage aux Folles” is packed with humor and heart as it follows an older gay couple, Georges and Albin, and the challenges they face when Georges’ son, Jean-Michel, announces his engagement to the daughter of a super-conservative politician.

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[Free Lance-Star] Riverside lets loose the Broadway classic 'La Cage aux Folles'
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[Free Lance-Star] Riverside lets loose the Broadway classic 'La Cage aux Folles'

Remember “The Birdcage”?

The 1996 instant-classic-of-a-flick, starring Robin Williams and Gene Hackman, left audiences in tears—both laughing and reflecting on love in its many forms.

Now the musical version of this wonderful story is making its way to the ’Burg. “La Cage aux Folles” owns the Riverside Center for the Performing Arts stage through early March.

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Riverside Center for the Performing Arts presents LA CAGE AUX FOLLES!
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Riverside Center for the Performing Arts presents LA CAGE AUX FOLLES!

The Riverside Center for the Performing Arts in Fredericksburg, Virginia is excited to present The Tony award winning La Cage aux Folles beginning January 9th and running until Sunday, March 3rd. The original 1983 Broadway production received nine nominations for Tony Awards and won six. The 2010 Broadway revival was nominated for eleven Tony Awards, winning the Tony Award for Best Revival of a Musical. Based on the French play and retold in the Robin Williams movie, The Bird Cage, the Jerry Herman Broadway musical La Cage aux Folles is the story of a gay couple who must pretend to be straight for one night - with one of the men in drag - to dupe the conservative political family of their son's fiancée. Featuring songs, "I Am What I Am," "With Ann on My Arm," and "The Best of Times."

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